“My destilado is made with all the love and dedication it needs for it to be of unmatched quality.”

— José Alberto Pablo

MAESTRO PALENQUERO

A smiling Jose Alberto Pablo holding a copita in front of light green wall.

José Alberto Pablo is a multi-generational maestro palenquero in San Bernardo Mixtepec, Oaxaca, Mexico.

José Alberto creates destilado in the tradition taught to him by his father and grandfather — milling by hand, fermenting and distilling in clay pots — and has integrated sustainable practices to ensure he and future generations can produce and enjoy the family’s agave spirits.  

MAKING DESTILADO IS A FAMILY AFFAIR.

Group of four palenqueros working to cover the oven, using shovels, against a backdrop of the pueblo.

During the process of harvesting, cooking, fermenting and distilling agave spirits José Alberto is joined at various times by his wife, mother, brother, children, as well as friends from the pueblo whom he employs.  

Watch the process

HARVESTING ESPADÍN

FROM HIGH IN THE CENTRAL VALLEY OF OAXACA

A palenquero harvesting agave with hills in the background on a sunny day.

José Alberto Pablo harvests agave (maguey) locally from his fields high above his hillside palenque at an elevation of approximately 1651 meters, or 5416 feet.

José Alberto maintains his agave fields without pesticides and fertilizes with used bagasso collected after distillation. He also cultivates young maguey at his palenque, transferring and replanting a few thousand plants to the fields throughout the year.

In addition to the agave fields, José Alberto is part of a local collective that maintains and protects forest land that provides source firewood for the pueblo, and also for his cooking and distilling process.

7AM. BUILDING EL HORNO.

Three palenqueros working on the construction of el horno outdoors, with a scenic mountainous landscape in the background.

After harvest, the agave piñas are cooked for 3-5 days in a river rock-lined conical oven (el horno) which is fired by locally-sourced walnut (nogal).

The oven’s capacity is approximately six tons of piñas, which will result in 400 liters or so of destilado. The process begins early in the morning as it will take six hours for the oven to reach cooking temperature.

A palenquero lighting el horno, with mountains and a tree in the background.

Don Mario lighting el horno

Several large, harvested agaves placed on the ground outdoors with a mountainous landscape in the background.

Agave piñas ready for the cook

Smoldering oven with agave, with mountains and houses with red roofs in the background.

Covering the piñas with banana leaves

MACHACADO A MANO

A large pile of roasted agave inside el horno with plants in the background.

When the cook is complete it’s time to mill the cooked piñas, which is the process of separating agave pulp from fiber ahead of fermentation.

Milling (machacado) is done by hand (a mano) with mallets (mazos) in a hollowed-out tree trunk called a canoa (it resembles a canoe). This is hard work.

The palenqueros swing the mazos into the canoa for about ten hours, which will take care of about half of the contents of el horno.

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MACHACADO A MANO

TRADITIONAL CLAY-POT FERMENTATION

Jose Alberto working with agave bagasso inside a blue wheelbarrow, surrounded by large clay pots against an orange wall.

The milled bagasso (separated chunks of cooked agave and its fibers) is then fermented. A unique aspect to José Alberto’s process is that he ferments in 90-liter clay pots.

Although other palenqueros in the region use clay pots to ferment, José Alberto places his pots in a room that allows him to ferment protected from the elements year-round.

ALL NATURAL PROCESS

Jose Alberto in a maroon shirt and blue jeans inspecting fermenting agave in large clay pots in a fermentation room with a pink wall and corrugated roof.

Fermentation is natural and takes 4-6 days, depending on the temperature. The bagasso dry-ferments for one day, sometimes two.

José Alberto checks the smell, temperature, and consistency of the bagasso, determining when water is ready to be added.

AGAVE TEPACHE

Several clay pots filled with fermenting agave, against an orange wall with visible weathering.

After one or two days of dry fermentation, water is added, and the mixture will sit and ferment until the tepache is ready for distillation.

When asked if the clay pots are buried in order to accelerate the ferment, José Alberto responds with the pragmatic - they are buried so that they don’t tip over.

TWICE-DISTILLED IN CLAY POTS

A rustic outdoor brick still with a fire burning inside, topped with two clay pots with copper pipes, set against a bright blue sky and greenery in the background.

The fermented agave tepache is distilled twice in 60-liter clay pots, using locally sourced oak (encino) to fire the still.

A single source fires the three clay pots, allowing José Alberto to regulate the temperature across all three of the stills.

DISTILLED TO PROOF

Three large clay pots with stainless steel condensers, water flowing out of each, set on a wooden trough, surrounded by rustic stone walls.

The first distillation results in a low-proof distillate, usually around 20-30 ABV, which is collected and distilled once more.

José Alberto uses a mix of heads (the beginning higher-proof distillate) and tails (the weaker-proof, end of distillate) to bring the destilado to proof, targeting 48% ABV, as is the preference of the local clientele. No water is added.

RESTING THE DESTILADO

Jose Alberto in a black cap and shirt filling jugs with mezcal in a resting room with a concrete floor, a graffiti-style red circle wall, and a window with black bars.

Once distillation is complete, José Alberto will rest the destilado in glass, anywhere from 6 months to multiple years.

José Alberto believes that to resting, descansar, allows the agave spirit to develop and round out, untainted in neutral glass.

SUSTAINABLE PRACTICES

Close-up view of young agave plants growing in soil with autumn trees blurred in the background.

José Alberto Pablo continues to refine his sustainable practices by focusing on these three areas — the agave, the wood, and the water.

First, José Alberto replants 2000-3000 young agave a year. He cultivates his own agave and works with agave farmers (magueyeros) who grow and source their agave sustainably. Second, he is part of a collective that maintains and protects a nearby forest, which is the source of his firewood for production. Third, José Alberto has devised a water recycling system that allows him to use efficient amounts of water during the distillation process.

José Alberto Pablo creates destilados by employing traditional family methods, enhanced by his own passions for excellence, sustainability, and a fearless curiosity, resulting in unique and delicious agave spirits.

REPLANTED YOUNG MAGUEY